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ACRYLIC PAINTS & MEDIUMS
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- ART SPECTRUM ACRYLIC MEDIUMS
- ART SPECTRUM COLOURFIX PRIMER
- AUREUO ACRYLIC PAINT SETS
- CHROMACRYL MEDIUMS
- CHROMACRYL STUDENT ACRYLIC
- DERIVAN MEDIUMS
- DERIVAN STUDENT ACRYLIC PAINT
- EXPRESSION PAINTING SETS
- FLASHE
- FLUID WRITER PENS
- GOLDEN FLUID ACRYLIC
- GOLDEN HEAVY BODY ACRYLIC
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- GOLDEN MEDIUMS & VARNISHES
- GOLDEN OPEN ACRYLIC
- GOLDEN SOFLAT MATTE ACRYLIC
- MATISSE BACKGROUND
- MATISSE MEDIUMS
- MATISSE STRUCTURE
- NAM VARNISHES
- PEBEO ACRYLIC MEDIUMS
- PEBEO ORIGIN ACRYLIC
- PEBEO STUDIO ACRYLIC
- SCHMINCKE ACRYLIC MEDIUMS
- SCHMINCKE AEROCOLOR ACRYLIC
- SCHMINCKE AKADEMIE ACRYLIC
- WINSOR & NEWTON ACRYLIC MEDIUMS
- WINSOR & NEWTON ARTISTS ACRYLIC
- AIRBRUSHES
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ART ACCESSORIES
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- APRONS
- ART BOXES & CASES
- BOTTLES, JARS, DROPPERS & SPRAYERS
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- MANIKINS
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BOOKS
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- BOOKS NZ AOTEAROA ART
- BOOKS OIL PAINTING
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- BOOKS PACKAGING DESIGN
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- BOOKS PHOTO TECHNIQUES
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BRUSHES & PALETTE KNIVES
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- BAMBOO BRUSHES
- BRUSH SOAP & CLEANERS
- BRUSH STANDS & STORAGE
- COLOUR SHAPERS
- DA VINCI BLACK SABLE BRUSHES
- DA VINCI BRISTLE BRUSHES
- DA VINCI BRUSH SETS
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DA VINCI CASANEO WATERCOLOUR BRUSH
- DA VINCI CASANEO FLAT BRUSH
- DA VINCI CASANEO LINER BRUSH
- DA VINCI CASANEO MINI BRUSHES
- DA VINCI CASANEO MOTTLER
- DA VINCI CASANEO OVAL BRUSH
- DA VINCI CASANEO POCKET TRAVEL BRUSH
- DA VINCI CASANEO RIGGER BRUSH
- DA VINCI CASANEO ROUND BRUSH
- DA VINCI CASANEO SHORT STROKE BRUSH
- DA VINCI CASANEO SLANT EDGE BRUSH
- DA VINCI CASANEO WASH BRUSH
- DA VINCI CHUNEO SYNTHETIC BRISTLE BRUSHES
- DA VINCI COLINEO OIL & ACRYLIC LONG HANDLED BRUSHES
- DA VINCI COLINEO WATERCOLOUR BRUSHES
- DA VINCI COSMOTOP MIX BRUSHES
- DA VINCI COSMOTOP NOVA BRUSHES
- DA VINCI COSMOTOP SPIN BRUSHES
- DA VINCI COSMOTOP WASH BRUSHES
- DA VINCI DRY BRUSHES SYNTHETIC
- DA VINCI FORTE BRUSHES
- DA VINCI IMPASTO BRUSHES
- DA VINCI JUNIOR SYNTHETIC BRUSHES
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DA VINCI KOLINSKY RED SABLE BRUSHES
- DA VINCI ARTIST COLLECTION GRIS BRUSH
- DA VINCI KOLINSKY SABLE WATERCOLOUR BRUSH SERIES 36
- DA VINCI LETTERING BRUSH POINT
- DA VINCI MAESTRO KOLINSKY SABLE WATERCOLOUR BRUSH SERIES 11
- DA VINCI MAESTRO KOLINSKY SABLE WATERCOLOUR BRUSH SERIES 35
- DA VINCI MAESTRO MINIATURE BRUSHES
- DA VINCI RED SABLE POCKET TRAVEL BRUSH
- DA VINCI LETTERING BRUSHES
- DA VINCI MAESTRO2 BRISTLE BRUSHES
- DA VINCI MICRO BRUSHES
- DA VINCI SPECIAL BRUSHES
- DA VINCI SQUIRREL/WASH BRUSHES
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DA VINCI STUDENT BRUSHES
- DA VINCI COLLEGE BRUSH FILBERT
- DA VINCI COLLEGE BRUSH FLAT
- DA VINCI COLLEGE BRUSH ROUND
- DA VINCI FIT HOBBY BRUSH FILBERT
- DA VINCI FIT HOBBY BRUSH FLAT
- DA VINCI FIT HOBBY BRUSH ROUND
- DA VINCI FIT HOBBY SYNTHETIC MOTTLER BRUSH
- DA VINCI FIT SYNTHETIC BRISTLE BRUSH FLAT
- DA VINCI STUDENT BRISTLE FLAT
- DA VINCI STUDENT BRISTLE ROUND
- DA VINCI TOP-ACRYL BRUSHES
- ESSDEE SPONGE ROLLERS
- EXPRESSION BRUSHES
- JASART HOG BRISTLE BRUSHES
- JASART MOP & STENCIL BRUSHES
- PALETTE KNIVES
- PEBEO BRUSH SETS
- PEBEO IRIS BRUSHES
- PEBEO MOTTLER BRUSHES
- WINSOR & NEWTON COTMAN WATERCOLOUR BRUSHES
- WINSOR & NEWTON GALERIA BRUSHES
- WINSOR & NEWTON SCEPTRE GOLD BRUSHES
- WINSOR & NEWTON SERIES 7 BRUSHES
- WINSOR & NEWTON WINTON BRUSHES
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CANVAS & PANELS
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- CANVAS ROLLS
- CANVAS STRETCHING TOOLS
- CEDAR STRETCHER BARS
- EXPRESSION CANVAS PANELS
- EXPRESSION FLOATING CANVAS FRAMED
- EXPRESSION STRETCHED CANVAS
- FREDRIX STRETCHED CANVAS, PANELS, PADS
- MUSEO LINEN CANVAS
- MUSEUM STRETCHED CANVAS
- NAM NATURAL LINEN CANVAS
- NAM ROUND CANVAS PANELS
- PINE STRETCHER BARS & BRACES
- PRO-PANELS
- SKATEBOARD DECK ART BOARD
- STRETCHED WITH LOVE CANVAS
- CERAMIC PAINT
- DRAWING BOARDS,STANDS & TABLES
- EASELS
- ENCAUSTIC PAINTS & MEDIUMS
- ENVELOPES
- FABRIC PAINT & DYES
- FACE & BODY PAINT
- FOAMBOARD
- GIFT CARDS
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INKS
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- CRETACOLOR CALLIGRAPHY INK
- DANIEL SMITH WALNUT INK
- DERIVAN INKS
- FIVE STAR INDIAN INK
- JACQUARD PINATA ALCOHOL INK
- MAGIC COLOUR
- PEBEO COLOREX INK
- PEBEO INDIAN INK
- ROTRING INKS
- SCHMINCKE 1912 INDIAN INK
- STAEDTLER INKS
- STAEDTLER MARS MATIC TECH PENS
- WINSOR & NEWTON INKS
- ZIG KURETAKE INK
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KNIVES & CUTTING TOOLS
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- New Arrivals
- DAFA CUTTING TOOLS
- DAFA RULERS
- DESIGN PEN KNIFE
- EXCEL KNIVES & CARVING TOOLS
- EXPRESSION CUTTING MATS
- FISKARS CUTTING TOOLS
- LEDAH TRIMMERS & GUILLOTINES
- LOGAN CUTTING & FRAMING TOOLS
- REVOLVING LEATHER PUNCH
- SCISSORS
- SNAP BLADE KNIVES & BLADES
- SWANN MORTON SCALPEL KNIVES & BLADES
- LIGHT PADS, LIGHTBOXES & LIGHTING
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MARKERS & PENS
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- New Arrivals
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- ARTLINE PENS
- AUREUO ALCOHOL TWIN TIP MARKER SETS
- CALLIGRAPHY PENS & NIBS
- CLASS PACKS MARKERS & PENS
- COPIC CIAO MARKERS
- COPIC CLASSIC MARKERS
- COPIC GASENFUDE BRUSH PENS
- COPIC MULTI LINERS
- COPIC REFILL INKS
- COPIC SKETCH MARKERS
- CORRECTION TAPES & PENS
- FABER CASTELL ALBRECHT DURER WATERCOLOUR MARKERS
- FABER CASTELL CONNECTOR PEN SETS
- FABER CASTELL GRIP PLUS BALL PENS
- FABER CASTELL PITT ARTIST DUAL MARKER
- FABER CASTELL PITT ARTIST PENS
- ICON PENS & MARKERS
- INDIGRAPH FOUNTAIN PENS
- LAMY PENS
- MARKER WALLETS & STORAGE
- MOLOTOW BLACKLINER PIGMENT LINER PENS
- MOLOTOW BURNER MARKERS
- MOLOTOW CHALK MARKERS - REFILLABLE
- MOLOTOW DRIPSTICKS
- MOLOTOW EXCHANGE TIPS
- MOLOTOW GRAFX MASKING LIQUID
- MOLOTOW LIQUID CHROME MARKERS
- MOLOTOW MASTERPIECE PAINT MARKERS
- MOLOTOW ONE4ALL PAINT MARKERS
- MOLOTOW SKETCHER MARKERS
- PEBEO 4ARTIST OIL BASED PAINT MARKERS
- PEBEO COLOREX WATERCOLOUR INK MARKERS
- PENTEL PENS
- PILOT MR SERIES PENS
- PILOT PENS
- POSCA MARKERS
- ROTRING PENS
- SCHMINCKE AERO LINER EMPTY MARKERS
- SCHNEIDER
- SHARPIE
- SHARPIE CREATIVE MARKER SETS
- STABILO FINELINER PENS
- STAEDTLER COLOUR FIBRE TIP PEN
- STAEDTLER DESIGN JOURNEY MARKER SETS
- STAEDTLER LUMOCOLOR MARKERS
- STAEDTLER MARS MATIC TECH PENS
- STAEDTLER PIGMENT ARTS PEN
- STAEDTLER PIGMENT LINER
- STAEDTLER PREMIUM PENS
- STAEDTLER TEXTSURFER HIGHLIGHTERS
- STAEDTLER TRIPLUS FINELINERS
- STAEDTLER WRITING PENS
- TEXTA LIQUID CHALK MARKERS
- TOMBOW ABT PRO ALCOHOL BASED MARKERS
- TOMBOW DUAL BRUSH PENS
- TOMBOW FUDENOSUKE PENS
- U-KNOCK XQ GEL PEN
- UNI PENS & MARKERS
- WINSOR & NEWTON BRUSH MARKERS
- WINSOR & NEWTON PROMARKERS
- ZIG PENS
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MODELLING , SCULPTING, CLAY & RESIN
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- 3D PRINTING FILAMENT
- BALSA & BASSWOOD
- CHAVANT MODELLING CLAY
- CLAY SHAPERS
- CLAYTOON NON-HARDENING MODELLING CLAY
- DAS MODELLING CLAY
- ESSDEE ALUMINIUM ROLLERS
- EXCEL MODELLING TOOLS
- EXPRESSION MODELLING TOOLS
- FIMO
- FIMO AIR-DRY MODELLING CLAY
- FIMO EFFECT
- FIMO KIDS
- FIMO LEATHER-EFFECT
- FIMO PROFESSIONAL
- FIMO TOOLS & ACCESSORIES
- GEDEO CLAY, RESIN & MOULDING
- HOT WIRE FOAM TOOLS
- JOVI AIR HARDENING CLAY
- K&S METALS
- KIWI UNDERGLAZE
- MACS MUD CLAYS
- MDF BOARD & PLYWOOD PANELS
- MILLIPUT EPOXY PUTTY
- MISCELLANEOUS MODELLING TOOLS
- MODELLING COMPOUNDS & PLASTER
- MODELLING WIRE
- NORSKI RESINS & ACCESSORIES
- PAL TIYA
- PEBEO FLUID PIGMENTS FOR RESINS
- PLASTALINA NON-HARDENING MODELLING CLAY
- PLASTIC SHEET PRODUCTS
- POP STICKS
- PROTOLINA NON-HARDENING MODELLING CLAY
- RGM SCULPTING TOOLS
- SCULPEY CLAYS
- SCULPEY LIQUID BAKEABLE CLAY
- SCULPEY PREMO CLAY
- SCULPEY SOUFFLE CLAY
- SCULPEY TOOLS & ACCESSORIES
- WIREFORM
- WOODEN SHEETS & STICKS
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OIL PAINTS & MEDIUMS
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- New Arrivals
- Featured
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- ART SPECTRUM ARTIST OILS
- ART SPECTRUM OIL MEDIUMS
- CHROMA ARCHIVAL OIL MEDIUMS
- EXPRESSION WATERSOLUBLE OIL STICKS
- FIVE STAR OIL MEDIUMS
- GAMBLIN MEDIUMS
- MAIMERI CLASSICO OIL
- MICHAEL HARDING OILS
- OLD HOLLAND OIL COLOURS
- PEBEO OIL MEDIUMS
- PEBEO XL OIL
- R&F PIGMENT OIL PAINT STICKS
- SCHMINCKE ARTIST OIL FLAKE WHITE
- SCHMINCKE MUSSINI OIL
- SCHMINCKE NORMA BLUE WATER-MIXABLE OIL
- SCHMINCKE NORMA PROFESSIONAL OIL
- SCHMINCKE OIL MEDIUMS
- SHELLAC
- TMK SOLVENTS & SPIRITS
- WILLIAMSBURG OIL
- WINSOR & NEWTON ARTISAN WATER MIXABLE OILS
- WINSOR & NEWTON ARTISTS OILS
- WINSOR & NEWTON GRIFFIN ALKYD FAST DRYING OIL COLOUR
- WINSOR & NEWTON OIL MEDIUMS
- WINSOR & NEWTON WINTON OILS
- PACKAGING PRODUCTS
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PADS, BLOCKS & PACKS
- Specials
- New Arrivals
- ARCHES PADS & BLOCKS
- AWAGAMI WASHI PACKS
- BOCKINGFORD PADS
- CANSON PADS & BLOCKS
- CLAIREFONTAINE PASTELMAT PADS
- COLOURFIX PADS & PACKS
- FABRIANO PADS, PACKS & BLOCKS
- GORDON HARRIS PADS
- GRAPH PAPER PADS & SHEETS
- HAHNEMUHLE PADS, PACKS AND BLOCKS
- LANA FINE ART PAPER PADS
- MAGNANI BLOCKS & PADS
- MOLOTOW MARKER PADS
- WARWICK EXERCISE BOOKS & PADS
- WINSOR & NEWTON MARKER PADS
- X-PRESS IT BLENDING PADS
- PANTONE GUIDES
- PAPER & CARD COLOURED
- PAPER ACCESSORIES
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PAPER FINE ART
- Specials
- New Arrivals
- ARCHES FINE ART PAPERS
- AWAGAMI FINE ART PAPERS
- CANSON MI-TEINTES PAPER
- CANSON WATERCOLOUR PAPERS
- CARTRIDGE PAPER
- COLOURFIX PAPER
- CRESCENT RENDR PAPER ROLLS
- EXPRESSION RENDERING PAPER
- FABRIANO FINE ART PAPERS
- GLASSINE PAPER
- HAHNEMUHLE FINE ART PAPER - ROLLS
- HAHNEMUHLE FINE ART PAPER - SHEETS
- KHADI PRINTMAKING PAPER
- LANA FINE ART PAPERS
- MAGNANI FINE ART PAPERS
- NEWSPRINT PAPER
- SCHOOL ART PAPER & CARD
- YUPO SYNTHETIC PAPER
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PASTELS & PASTEL PENCILS
- Specials
- New Arrivals
- CARAN D'ACHE NEOPASTEL
- CRETACOLOR PASTEL STICKS
- DERWENT PASTEL PENCIL SETS
- FABER CASTELL PITT PASTEL PENCILS
- FABER CASTELL POLYCHROMOS PASTELS
- HARD & SOFT PASTELS
- MUNGYO OIL PASTELS
- MUNGYO SEMI-HARD PASTELS
- MUNGYO SOFT PASTELS
- NAM VARNISHES
- OIL PASTELS
- PAN PASTELS
- PASTEL FIXATIVES & GROUNDS
- SCHMINCKE PASTELS
- STAEDTLER DESIGN JOURNEY PASTEL & CRAYON SETS
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PENCILS, CRAYONS, CHARCOAL & ACCESSORIES
- Specials
- New Arrivals
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- ART GRAF GRAPHITE & CARBON
- BLACKWING
- CARAN D'ACHE LUMINANCE SETS
- CARAN D'ACHE NEOCOLOR I
- CARAN D'ACHE PABLO
- CARAN D'ACHE SUPRACOLOUR
- CHALK & ACCESSORIES
- CLASS PACKS PENCILS
- CLUTCH PENCILS, LEAD HOLDERS & LEADS
- COATES WILLOW CHARCOAL
- CONTE CRAYONS
- CRETACOLOR ARTISTS' COLOUR PENCILS
- CRETACOLOR CHARCOAL & GRAPHITE
- CRETACOLOR DRAWING & COLOUR PENCIL SETS
- Caran D'Ache NEOCOLOR CRAYONS
- DERWENT INKTENSE SINGLE PENCIL
- DERWENT SETS
- DONGXU WILLOW CHARCOAL STICKS
- DRAWING ACCESSORIES
- ERASERS
- EXPRESSION PAPER STUMPS
- FABER CASTELL 9000 PENCILS
- FABER CASTELL ALBRECHT DURER WATERCOLOUR PENCILS
- FABER CASTELL ARTISTS PENCILS
- FABER CASTELL GOLDFABER 1221 PENCILS
- FABER CASTELL PITT CHARCOAL & GRAPHITE
- FABER CASTELL PITT PASTEL STICKS
- FABER CASTELL POLYCHROMOS ARTISTS COLOUR PENCILS
- FABER CASTELL RED RANGE CLASSIC PENCIL SETS
- FABER CASTELL UNIVERSAL MARKING PENCILS
- GENERALS CHARCOAL PENCILS
- HONEYSTICKS BEESWAX CRAYONS
- ICON PENCILS
- JOLLY X-BIG SUPERSTICK PENCILS
- LAMY COLOUR PENCIL SETS
- MECHANICAL PENCILS
- MOLESKINE PENCILS
- MUNGYO WATERCOLOUR CRAYONS
- PENCIL CASES & WRAPS
- PRISMACOLOR PENCILS
- SHARPENERS
- STAEDTLER COLOUR PENCIL SETS
- STAEDTLER CRAYON & PASTEL SETS
- STAEDTLER DESIGN JOURNEY COLOUR PENCIL SETS
- STAEDTLER LUMOCOLOR PENCILS
- STAEDTLER LUNA PENCILS
- STAEDTLER MARS LEADS
- STAEDTLER MARS LUMOGRAPH PENCILS
- STAEDTLER NORIS,NORICA PENCILS
- STAEDTLER TRADITION PENCILS
- TOMBOW MONO GRAPHITE PENCILS
- WOLFF CARBON PENCILS
- PIGMENTS & MEDIUMS
- PRINTER PAPERS, FILMS & LABELS
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PRINTMAKING
- Specials
- New Arrivals
- Clearance
- BLOCK PRINTING KITS
- CHARBONNEL ETCHING GROUNDS
- ESSDEE SCRAPERBOARD
- FLOX & TUFFERY PACKS
- GELLI PRINTING PLATES
- JACQUARD CYANOTYPE
- JACQUARD SOLARFAST
- PRINTING PLATES, BLOCKS & LINO
- PRINTING PRESSES
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PRINTMAKING INKS
- AKUA INTAGLIO INK
- AKUA INTAGLIO MEDIUMS
- CHARBONNEL ETCHING INKS
- CHARBONNEL WATER WASHABLE INK
- CHARBONNEL WATER WASHABLE MEDIUMS
- CRANFIELD CALIGO SAFE WASH ETCHING INKS
- CRANFIELD CALIGO SAFE WASH RELIEF INK
- CRANFIELD PRINTMAKING MEDIUMS
- CRANFIELD TRADITIONAL ETCHING INKS
- CRANFIELD TRADITIONAL RELIEF INKS
- ESSDEE FABRIC PRINTING INKS
- ESSDEE WATERBASED BLOCK PRINTING INKS
- FIVE STAR PRINTING INK
- FLINT OIL BASED PRINTING INK
- FLINT WATER BASED PRINTING INK
- SCHMINCKE AQUA LINOPRINT INKS
- SCHMINCKE LINOPRINT MEDIUMS
- SCHMINCKE LINOPRINT SETS
- SPEEDBALL FABRIC RELIEF INKS
- SPEEDBALL PRINTMAKING MEDIUMS
- SPEEDBALL PROFESSIONAL RELIEF INKS
- SPEEDBALL WATERBASED RELIEF INKS
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PRINTMAKING ROLLERS, CUTTERS & TOOLS
- BARENS
- BENCH HOOKS
- ESSDEE COLD WAX ROLLERS
- ESSDEE FABRIC INK ROLLERS
- ESSDEE HARD RUBBER INK ROLLERS
- ESSDEE PROFESSIONAL INK ROLLERS
- ESSDEE SOFT RUBBER INK ROLLERS
- ETCHING NEEDLES
- EXPRESSION STANDARD RUBBER INK ROLLERS
- HWAHONG ROLLERS & TOOLS
- LINO & WOOD CUTTERS & CARVING TOOLS
- SPEEDBALL LINO ROLLERS
- PRINTMAKING STENCILS
- PROJECTORS
- SCHOOL & UNIVERSITY KITS
- SCREENPRINTING
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SKETCH BOOKS, NOTEBOOKS, VISUAL DIARIES
- Specials
- New Arrivals
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- CRESCENT RENDR SKETCHBOOKS
- FABRIANO ECOQUA NOTEBOOKS
- FABRIANO ISPIRA NOTEBOOKS
- FABRIANO SKETCH & WATERCOLOUR BOOKS
- FLEXBOOK SKETCHBOOKS & NOTEBOOKS
- GORDON HARRIS VISUAL DIARIES
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HAHNEMUHLE SKETCH BOOKS
- HAHNEMUHLE CAPPUCINO BOOK
- HAHNEMUHLE NOSTALGIE SKETCH BOOK
- HAHNEMUHLE SKETCH BOOK D&S
- HAHNEMUHLE SKETCH BOOK HARDCOVER
- HAHNEMUHLE SKETCH BOOKLETS
- HAHNEMUHLE SPIRAL BOUND SKETCH BOOKS
- HAHNEMUHLE THE GREY BOOK
- HAHNEMUHLE TONED WATERCOLOUR BOOKS
- HAHNEMUHLE TRAVEL JOURNALS
- HAHNEMUHLE WATERCOLOUR BOOKS
- HAHNEMUHLE ZIG ZAG BOOK
- LEUCHTTURM 1917 NOTEBOOKS
- MOLESKINE NOTEBOOKS
- MOLOTOW MARKER SKETCHBOOK
- PAPERBLANKS NOTEBOOKS
- SPECIALTY PAINTS & FINISHES
- SPRAY PAINT
- STATIONERY
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TAPES, GLUES & ADHESIVES
- Specials
- New Arrivals
- Clearance
- ADHESIVE PUTTIES & CEMENTS
- ARTOGRAPH SPRAY BOOTHS
- CELLULOSE & INVISIBLE TAPES
- DOUBLE SIDED TAPES & SHEETS
- GLUE GUNS & STICKS
- GLUE STICKS & ROLLERS
- HOLDFAST HOOK & LOOP
- MASKING TAPES & FILMS
- PACKAGING TAPE
- PAPER & CLOTH TAPES
- PVA & WOOD GLUES
- SELF ADHESIVE SHEETS & ROLLS
- SPECIALITY & ALL PURPOSE GLUES
- SPRAY ADHESIVES
- XYRON PROFESSIONAL
- TECHNICAL DRAWING PRODUCTS
- TRACING PAPER & DRAFTING FILM
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WATERCOLOUR PAINTS & MEDIUMS
- Specials
- New Arrivals
- Featured
- Clearance
- DANIEL SMITH WATERCOLOUR
- PEBEO WATERCOLOUR MEDIUMS
- PEBEO WATERCOLOUR PAINT SETS
- QOR WATERCOLOURS
- SCHMINCKE AKADEMIE WATERCOLOUR
- SCHMINCKE AQUA DROP
- SCHMINCKE HORADAM WATERCOLOUR
- SCHMINCKE LIQUID CHARCOAL
- SCHMINCKE WATERCOLOUR MEDIUMS
- WATERBRUSH PENS
- WATERCOLOUR STUDENT PAINT SETS
- WINSOR & NEWTON COTMAN WATERCOLOURS
- WINSOR & NEWTON PROFESSIONAL WATERCOLOUR
- WINSOR & NEWTON WATERCOLOUR MARKERS
- WINSOR & NEWTON WATERCOLOUR MEDIUMS
Colour in the 21st Century: Artists have never had it so good!
Barrels of pigment at Schmincke’s factory near Dusseldorf, Germany.
There has never been a time of such abundant colour. We have an incredible selection of colours to choose from, with paint ranges commonly offering over 100 hues, and up to 160 in the Williamsburg Oilcolours!
While before the 19th Century painters had to work with a limited number of naturally-occurring and often highly toxic pigments, today we have dozens of brilliant and safe synthetic colours in addition to important traditional colours, with more coming every year. Having such choice gives us the ability to make an almost infinite amount of variations, so we can be subtle or bold, we can mimic or invent, be restrained or profuse with our colour palettes.
Of course, colour costs, and student paint made solely for a price-point are made with lesser amounts of commonly available pigments (at Gordon Harris we make sure to choose the best of these for you). For many recreational painters and discerning professionals, however, colour is king (and queen!) and Artist Quality paints contain the best pigments in the highest concentrations, mixed in the strongest, clearest binders.
The most brilliant, pure colours are made from just a single pigment. These “single pigment colours” mix together cleanly and offer the most versatility to the painter. To produce extensive paint ranges where up to 70% of their colours are single pigment, Schmincke, for example, must use around 250 different pigments!
Pigments come from many sources, such as minerals from the earth, metal alloys, chemical combinations, and carbon. The price (Series) of your paint varies depending on how rare the pigment is. While Titanium White comes from plentiful titanium ore so is “Series One”, genuine Cobalt colours are made from a rare mineral, and accordingly occupy higher Series numbers.
As a rule of thumb, mixing more than four pigments together quickly turns the colour muddy. This is why mixing from student paints is often unsuccessful – many individual student colours are already mixtures of 2 – 4 pigments. Pigments are indicated by a Colour Index: PY for Yellow, PO for Orange, PR for Red, PV for Violet, PB for Blue, PG for Green, PBr for Brown, PBk for Black, and PW for White.
Let’s have a look at some of the single pigment colours only found in Artist Quality ranges.
Cobalt blues, violet, and greens provide rich, soft, mostly opaque colours that counterpoint beautifully with modern pigments.
Cobalt is a mineral first used extensively in the 19th Century. The first colours to use cobalt were opaque greens, Cobalt Green (also called Oriental Green PG19), Cobalt Green Dark (also called Turmaline PG26), and Cobalt Turquoise Green (PB36). Most popular today are the semi-opaque blue tones: Cobalt Blue Light (PB28), Cobalt Blue Deep (PB74), Cobalt Cerulean (also called Cerulean Blue Chromium PB35), and Cobalt Turquoise (or Cobalt Teal PG50). There is also a stunning but very expensive Cobalt Violet!
The genuine Cobalt Cerulean and Cobalt Blue are softer colours, especially in tints with white, than the Cerulean Blue and Cobalt Blue Hue, which are made from less expensive pigments. While all are artist quality and the substitute hues are good colours, genuine Cobalt offers greater subtlety, and more recessive colour spaces.
Cobalt colours are rich, soft and highly lightfast. Their gentle tones become most apparent when mixed with white, producing a beautiful softness that is impossible to achieve with modern pigments. Cobalt colours are especially useful in landscape painting, with Cobalt Cerulean Blue (Chromium) highly prized in the 19th Century for use in skies, often tinted with a speck of Ivory Black. Cobalt Green Deep offers a dark, cool forest green, and Cobalt Turquoise is perfect for lagoon blues.
Cadmium produces an evenly stepped progression from Golden Cadmium Yellow Primrose to Williamsburg Cadmium Purple, but what’s with Williamsburg Cadmium Green..? Not a pure cadmium, this colour is made from mixing Cadmium Yellow with Chromium Green.
Cadmium was also first used in artists colours in the 19th Century. The range of bright, opaque tones from pale yellows through to deep reds was hugely popular with Post-Impressionists, with Vincent van Gogh absolutely enamoured with Cadmium Yellow.
Cadmiums are still an important part of the painter’s palette, providing solid and brilliant colours yet to be replaced by more modern pigments. They are strongest used pure, becoming quite muted in mixtures due to their density. They are very effectively used as a base for translucent glazes, and their opacity acts brilliantly over dark areas. Various yellows are made with PY35, orange and reds with PO62, and red tones with PR108.
Recently, there has been concern about the health issues of using cadmium, a heavy metal. While there is very little risk from painting in an expected manner with them, cadmium dust should not be inhaled, so don’t spray apply and care should be taken if sanding back layers of dried paint. Reputable manufacturers such as Golden and Schmincke use non-soluble cadmium, which is harder for the body to absorb, to further reduce risk. Some manufacturers promote “Cadmium-Free” colours, and there are certainly plenty of other gorgeous yellows and reds to choose from if you prefer, such as Vanadium and Pyrrole colours.
Hot 21st Century Pyrrole pigments provide an incremental shift from orange to deep red.
Pyrrole is a very modern pigment that gives us a range of oranges and reds that are very brilliant and opaque, with the exception of Transparent Orange (also called Poppy Red, PO71). Pyrrole Orange (PO70), Pyrrole Red Light (PR255), Pyrrole Red (PR254), and Pyrrole Red Dark (PR264) are often used for modern Vermillion (made in olden times from mercury sulphide!) and as excellent stand-ins for cadmium colours. While they don’t have the density of a metal like cadmium, they have a much higher brilliance.
Transparent Orange, called Poppy Red in Norma Professional Oilcolours, is an important mixing colour for creating landscape greens when mixed with Phthalo Green, and darkening blues all the way through to black.
There are nine Quinacridone colours in Horadam forming a unique set of reds and violets perfectly suited for everything from floral to abstract painting.
Quinacridone pigments are bright, translucent and highly lightfast, and when first introduced to painters in the 1980s, these brilliant, manmade reds and violets quickly became important building blocks for an entirely new set of colour possibilities.
The concept of the fiery fuchsia of Quinacridone Magenta (PR122) as a primary mixing red was shocking to artists in the 1980s who were used to Cadmium Red, but made perfect sense to those familiar with the CMYK printing system. It combines with yellow to produce oranges and warm reds, with blue makes for a wide range of violets, and with green for cool greys. Bright, clean, translucent Quinacridone colours make for brilliant mixtures, and if too shocking, they can always be tamed with a touch of green.
Quinacridone Magenta is a very versatile primary mixing red, combining with any other colour to produce clean hues right around the colour wheel.
Several new Quinacridone pigments have been added to the range this century, with the latest, Quinacridone Purple (PV55) appearing in Schmincke Horadam Watercolours in 2017. They make up delicate pinkish reds through to deep violets, and are an essential part of a modern painter’s palette.
When one beautiful blue is not enough...! Schmincke offer five Ultramarine Blues in Horadam Water
By the beginning of the 19th Century, Ultramarine Blue (PB29) had become prohibitively expensive. It was made from lapis lazuli, a semi-precious stone mined in Afghanistan, in a complicated process that had provided painters with one of their most important colours since the Renaissance. Following the offer of a substantial reward by the French government, Ultramarine was successfully synthesized in 1828 and the price tumbled.
Today, Ultramarine is commonly found in all paint categories, but there are differences in quality between student and professional, and in varieties. Synthetic Ultramarine is much stronger than the original lapis lazuli recipe, and in artist quality colours is often available in Dark (reddish) and Light (greenish) hues. A by-product of the production results in Ultramarine Violet (PV15), a weak tinting-strength pigment that produces lovely lavenders.
Golden Acrylic Phthalo Green (Blue shade) and Phthalo Green (Yellow Shade) have different relationships to three yellows - the former producing cooler versions of green to the latter.
Phthalocyanine pigments were a hugely important discovery in the 1930s, providing high tinting-strength greens and blues at a cheap price. While Phthalo Green and Phthalo Blue are readily available in student ranges and commonly used in pre-mixed landscape colours, both are only half the offer. Phthalo Green (Blue Shade PG7) is generally available, yet Phthalo Green (Yellow Shade PG36) is more exclusive. Likewise, Phthalo Blue (Green Shade PB15:3) is common and Phthalo Blue (Red Shade PB15:6) is only found in artist quality ranges, along with Phthalo Turquoise (PB16). These variations of the Phthalo hues make for subtle but important differences in mixing.
Phthalo colours are transparent and have a very high tinting strength (their relative strength in a mixture with another colour).
Precious natural earth pigments are used in there Horadam Watercolours to provide more complex hues than the more common synthetic iron oxides.
Special artist’s colours needn’t be from precious minerals or modern chemistry – genuine earth pigments have been used for millennia, yet are rare enough to only be found in Artist Quality paints. Traditional names such as Umber and Sienna are used to denote colours made in the past from earth taken from these Italian districts. While the original sources have been long depleted, high quality earth pigments (PBr7 & PY42/43) from around the world are used to make colours prized for their particular quality. They have a more complex character than the iron oxides used to produce more common Sienna and Umber hues – denser, modulated, and just downright earthier!
There are plenty of other special colours to be discovered in artist quality paint ranges: perylene reds and greens, Benzimidazolone and Vanadium yellows, indanthrene blue, manganese violet, and more being regularly discovered, such as Yin Min Blue in 2009.
There are not only more colours available in artist quality paints, but much more information. Both on the labelling and in colour charts, you can find out about pigmentation, lightfastness, opacity and transparency, tinting strength, historical backgrounds, and more – all important guides for your painting practice.
At Gordon Harris, we pride ourselves in offering you the best colours from around the world, so that you can explore the ever expanding universe of artist paints!